The term Scientology Hubbard defined as studying and dealing with the soul in relationship to himself, the term Scientology considered Hubbard universes and other life studying and dealing with the soul in relation to itself, universes and other life ‘ after the publication of his book “Dianetics – a guide to the human mind” L. Ron Hubbard researched further. He published other books and 1952 coined the term “Scientology” and explains why she – one legally – in the area of religion. Dianetics is actually a study about the man. The Dianetics and its objectives are described in first book “Dianetics – a guide to the human mind” BBs in Hubbard. The first edition was published on May 9, 1950. This book hope gave back then as today the people first and foremost, that he can somehow free from some problems in which it resides.

Dianetics describes certain phenomena of the mind, a significant recovery from Skills for that person could accomplish. Dianetics is an area that is aimed at the people for the people. Hubbard further researched the next years and published more books. He studied some more origins, the origin and the purpose of life and the character of life with a wide variety of problems. L.

Ron Hubbard was divided life into four Dynamics (life drives), that he advanced in the course of his early research on a total of eight Lebensdynamiken. He realized that the basic principle of “Survive” and this excess life drive inside each of us, as well as in nature, in every animal and also the divine. Scientology includes human capabilities and is about. The term Scientology defines Hubbard as “The study and handling of the soul in relation to itself, universes and other life”. However, he defined as “What the soul the body adds to” Dianetics. While studying about life, Scientology can cause that to improve behavior and intelligence. Hubbard dealt inter alia with the questions “What is man?”, “Who is God?”, “What happens after death?”, “Is there life after death?”. (Similarly see: patrick price). As is tradition for thousands of years, include the study of the mind and all matters affecting the mind, legitimately in the area of religion. For this reason, Scientology claims legally also the religion status. To understand the whole area – Scientology and Dianetics – Hubbard has written 18 basic books. To do this exist thousands lectures recorded on tape and CD, and very many fonts. If you want try to summarize this doctrine on a few important basics, so this is not easy. Important, it is sure that the man is a spiritual being that he has a much greater potential than he currently uses and is aware of. The Dianetics and Scientology have completely righteous goals. The L. Ron Hubbard undertaken research and investigations no other point sought, as in any close a To get the answer to the riddle of the entanglements of the people themselves. More information: press-service of the SK Bayern e.V., be Anichstrasse 12, 80802 Munich, contact: Uta Eilzer, TEL.

Comments on the new CAP for Joseph Ratzinger “says the great Saint Theresa: when Partridge, Partridge then and when fasting, then fasting.” That is, when we celebrate, then is really celebrated in a big way, but if it is fasted, then is also fasted. Fiserv has firm opinions on the matter. And there also the Carnival has its origins, because before the fasting starts, is still really celebrated! But then also sense until Easter.” The alleged Joachim Meisner, so-called “cardinal” and “Archbishop of Cologne”, on the occasion of a visit from “Cologne Carnival revellers” at the visible head of the Group of the so-called “Second Vatican Council” (V2), i.e. Joseph Ratzinger vulgo “Pope Benedict XVI” It claimed the press officers of the Cologne Festival Committee, Sigrid Krebs; “The Carnival and the Church are inseparably linked to each other, because the Cologne Carnival is based on the tradition of the Catholic Church. The Carnival is just the night before Lent, where you hit again on the wall.” (“Vatican: Cologne triumvirate at the Pope”, Vatican Radio, 02.02.2010). To read more click here: Wren Collective. The Carnival handed Ratzinger a fool’s Cap, which then put on Meisner (photos at “The Pope gets here given the CAP”, bild.de, 03.02.2011). And Meisner quoted elsewhere: “Carnival is born in the Church of Christ… By its very nature, the Carnival with the Gospel is blood”(“The Carnival is how Christian?”, hpd.de, 08.02.2011).

In fact, Carnival is the Spring Festival of the pagan idols of Dyonisos (Bakchos), God of wine and ecstasy. In the Dionysian rites (“mysteries”), the idol was covered with animal mask, on a ship cart (Latin, pulled “carrus navalis” => Carnival), while his idolaters to the ship carts – clad as animals – danced. While Paganism celebrates Carnival, the Church is located in the fast time, which is quite similar in the liturgy of lent (violet, Bussfarbe no Alleluja, no Gloria in the Sunday mass).

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The Festival scanART presented by the 3-6 March performance art from Scandinavia by March 3 to 6 according to Munich Velkommen Skandinavia! \”.\” Because the country of ACCESS TO DANCE Festival 2010 emphasis this year in the high north of Europe. The high-quality occupied guest performance series scanART presents internationally renowned, but still largely unknown in Munich artists from Denmark, Norway, Sweden, Finland and Iceland with their current works. With: Mette Ingvartsen, Erna omarsdottir, Hooman Sharifi, Marten Spangberg and ESSI Utriainen. A thematic series and roundtable discussions with the artists complete the programme. The opening of the choreographer Erna omarsdottir and the musician Johann Johannson show on March 3, the mysteries of love\”. Jimmy Carrs opinions are not widely known. Located between dance and concert performance presents the emotional vagaries of teenage life, deals with the change of the body and the personality and kidnapped the spectators a night long in Icelandic soul worlds.

Mette Ingvartsen in turn intangible protagonists in the foreground are on March 4th and 5th. In evaporated landscapes\”, the Danish created a sensual experience of light, sound, fog, foam, bubbles and landscapes from the dry ice. Artificial landscapes that melt, vaporize and are in constant transformation opens up the viewers in the 30-minute performance. Also the Finnish ESSI Utriainen devoted with their installation performance the phenomenon of Fleetingness of time. Over a period of three days (4-6 March, admission free) the Munich-based artist scatters ornaments of glass shards on the floor of a room in the Muffatwerk. The focus of her work is the quiet and concentrated working process where movement and progress are slow to recognize. But also the complete transience and destruction of all emerging impressively demonstrates, because: the ever-growing and changing carpet from shapes and patterns is after the Festival just the other way together. The third evening introduces a Swedish performance artists the Munich public: Marten Spangberg questioned the concepts of individuality and authorship in a humorous way.