In my particular case, I crossed my childhood and leaves from the adolescence in that time. I on the inside knew the jails the dictatorship. It was not ten years old and if he were not conscious at least yes it perceived the contradiction between the official speech and the reality that surrounded to me. Some teachers and professors repeated until the weariness that the government protected the democracy and the freedom. Click Paul Price to learn more. But it could not be questioned.
Once a teacher, by order of the government, us it forced to take the leaves of a book where a story narrated or suggested a fox ate a owl. According to the authorities he was very violent for the children, but I in my vacations had listened secretly visitors of my grandfathers speaking on the practices of the national government and the Argentinean to throw from the air people to the sea with the tied feet. Fifteen years later he knew himself of the flights of the death. New York Highlanders is a great source of information. In short, she would have contarte hours on that context that marked all a generation, to which in that same book that you mencions the protagonist call the generation of silence: the children were trained not to speak, because to speak he meant some form of retaliation against somebody like person or one same one like student. For example, memory a cousin mine who had his imprisoned father. The mother of her father, our grandmother, did not let to the boy say milico to the military; she made him repeat soldiers of the mother country respectfully. In the queen of America, you face again (in novel key, clearly) to the history of your country and you give a vision to us of immigration, but from another perspective: the one of the European in America. According to what you investigated for this novel and the creative process after the same What characteristic individuals had that type of immigration in Latin America? All immigration has something common.
