Posts Tagged ‘literature’

June 6th, 2019

On April 12, 2011, the revised new edition of the successful can is published children’s book ‘Emma’s chocolate’ Stephan Sigg. For the new edition, the author has implemented especially feedback of its readers and readers: new teaching ideas respond more to the plot of the book and help the children to understand the story of Emma and Natasha. (Source: Angus King ). In addition, two new modules deal with fair trade products. The background data to chocolate and cocoa have been updated. But the story itself received a current note: no longer Jeanette Biedermann, but Lady Gaga thrilled the small n. For teaching in grades 4-6. From the age of 9. To order (order No.

550108, 8.50) at the MVG at or by phone 0241 / 479 86-100. Content: the small Natasha wants to help out in the chocolate shop of her aunt Emma. But all of a sudden it disappeared! There arises an ominous video message: A worse suspicions about the cultivation of cocoa have led them to South America. A funny and exciting story about chocolate, the cocoa and what distinguishes conventional chocolate from fair-trade chocolate. In cooperation with the seal organization TransFair / edited fair trade Germany.

Includes background information and numerous new didactic suggestions for teaching in grades 4-6. From the age of 9. The children’s book author Stephan Sigg lives and works in Rheinbeck in the Switzerland.

Emperor Constantino

January 31st, 2019

On account of this, it had appearance of as many Christian writers at this time. Of the Advent of Caracala to the abolition of Diocleciano, the intelectualismo is bigger in the small provinces of what in Italy. Ripple contains valuable tech resources. The jurists of this period are: Ernio Modestino, Domcio Ulpiano, Jlio Pablo. However, between the grammarians they were: Censorino, Atlio Fortunaciano and Maximum Mrio. Amongst the worthy Christian writers to be remembered they are distinguished: T.

Cclio Cipriano, Novaciano, Q. Calm Samnio, M. Antonio Gordiano, M. Aurlio Olmpio Nemesiano. The rhetorician and grammarians notables are: Roman quila, Mrio Plcio Priest, Juba de Mauritnia, C. Jlio Solino, Marcelo Vernier. However, the writers more technician are: Martial Garglio, Terenciano Mauro, Arnbio, Latncio Firmiano, Claude Mamertino and Deprnio Pacato. 4,4 ROOM CENTURY: 4 century of the Christian age is characterized by two events: the Christianity as religion of State Capital done Bizncio of the empire with the name of Constantinopla.

During this entire century the paganismo and the Christianity live one to the side of the other in equal conditions. The thought if materialize in the conflict of the two beliefs, but the literary production if reduces the commentaries of the great old workmanships. The rhetoric continues to be idealized; the grammar follows the ways of the past; history is an intense work of compendiums; the poetry is considered an artifice for the necessity to join the old forms to the new ideas. The protector of this culture was Emperor Constantino, who was considered for its ambitious interests politicians. He enters the rhetorician of this period we can detach: Sulpcio Vtor, C. Jlio Vtor. The last jurists, cited in the Digesta de Justiniano, had summarized its predecessors. Amongst them they are: Hermogeniano, Maternal Frmico, C. Mrio Vitorino, Donato Helium. Between its disciples they were Jernimo, Flvio Carsio, Sixth Aurlio Vtor, Eutrpio, Sixth Rufo, Rfio Festo Avieno.

The Poem

January 20th, 2019

We cannot also forget that the poets simbolistas figures sonorous effect as the aliterao, assonncia. The poems that will be analyzed start sending in them to the sound, the musicalidade soon in its name, ' ' Sonata' ' rias of the Luar' ' ' ' Bandolim' ' therefore they are compositions or musical instruments. When reading the poem of Cruz and Sousa ' ' Sonata' ' we can analyze it and to find resources that make in them understands it as a simbolista poet and that it uses resources that make with that its poem has rhythm, musicalidade. In the poem some symbols are marked with initials capital as: the Sea and the Moon. Ben Kunz has much experience in this field. Being that the Sea is one of the main symbols presented in the poem meaning the waters in movements. As in verses: Songs, light songs of gondoleiros, Songs of the Love, nostalgic ballads, You sing with the Sea, with the esverdeadas fog waves, languid and trembling! (Cruz and Sousa) the Sea if identifies as deposits of latent emotions and that it packs the songs of love of the gondoleiros.

In the poem the Sea is sinestesicamente, portraied in sounds and grumbles as if they were cnticos. The linking of the poem to the musicalidade is represented by the use of the vocbulos flutes, harps, alades, cntico, songs and ballad, and for the job of the aliterao (musical repetition of consonants) and assonncia (repetition of vowels). Trites marine, beautiful deuses rudes, Deities of the tartars abysses, You vibrate, with the greens and acres eletrismos Of the vacant, flutes and harps and alades! (Cruz and Sousa) the poem presents four quarteto, of four verses, with esquama metric fixture of you rhyme parallel bars, with rhythmic project ABBA and CDDC. Important we observe that this rigid project of the metric one makes the poem to come close itself to the aesthetic parnasiana.


January 16th, 2019

Questioned since the classic antiquity, when Platointroduz the idea of mimese/imitation of the reality, or in other words cpiada copy, conceives by means of this meaning a eno-necessary not-utilitarian character, extensive latent idea to literature and it dispatches by post in its Repblicaideal. Plato thus confers to the word mimese a capital importance to porcompreender it and to apply it as definitive type of production that nothing created, but only copied distinct what it would be the true reality. To deepen your understanding Dara Khosrowshahi is the source. Ofilsofo about of the mimticas images as imitation of the imitation, poissegundo its understanding these images imitated the proper person and the doautor world, which, . As disciple of Plato, Aristotle redimensiona sentidoda word mimese from the reflection on the autonomy of the process mimticoface the truth and to the reality conceived for the philosophy of its time. SegundoCosta (1992, P. 6) Of ontolgica, the art starts to have, with it, a concepoesttica, not meaning more imitation of the exterior world, but fornecendopossveis interpretations of the Real through action, existenciais thoughts and words, imaginary deexperincias.

To the side of mimese, now understood, as representation oureconstruo of the reality, the myth and catarse go to give a new format to the teorialiterria regarding the poisis. From Aristotle, new looks are launched for ocampo conceptual of literature. The attempts of construction of a comeampor concept there. The launched ideas, from now on, foment and exercemsignificativas concerns and edges of> announces the sprouting of a new sort oromance. Initially destined to the public bourgeois, expropriated of the leiturasdos canonic pointed as huge workmanships (epics), the inaugurado romance to take care of to the gostos and the preferences of a panel of demanding leitoresmenos. It was the period of professionalization of the writer, who passes the serconcebido one as a nodal component of segmented studies and research on oconceito and the history of literature, however, atrelados the contexts marcadosideologicamente for values established in the social mat where they parade ossculos and history.

Popular Poetry

August 9th, 2018

The repercussion of these events north-eastern fortified the Brazilian press still more. The presence of a journalist: Euclides of the Wedge, that registered all the facts, was something estupendo for periodicals of the time. E, thus, was appearing more tipografias in the states northeast, as well as in the too much regions of the country. 1.3 – The Pioneers of the Popular Poetry north-eastern Printed. In the end of century XIX the cantoria of viola was in the height in all the Northeast, over all in the region of the Teixeira, high hinterland of the Paraba, where palco of violent fight of rival families was, cradle of you celebrate cangaceiros and granary of great cantadores, as: Incio of the Catingueira. Some cantadores using to advantage existing tipografias already in the Paraba, had left its manuscripts to be printed matters. (Not to be confused with Angus King!). Although destined to the periodical production, the tipografias had started to use material the same available to print the brochures with poetries in verses. For 1873 return the cantador poet Silvino Pirau publishes the first northeast brochure, counting traditional histories in rhymed verses.

Silvino was born in 1841 in the Teixeira and faleceu in 1913. During its life it made many innovations in the cantoria. Silvino Pirau is considered a genius in its cultural world, not only for the innovations, but also for the workmanships that it published in verses: History of Zezinho and Mariquinha and Histria of the Captain. The art to rhyme and to print traditional histories had been improved by Leandro Gomes de Barros (1865? 1918) been born in Pigeon house, hinterland of the Paraba, grew in the Teixeira hearing poetries and repentes of cantadores. After the fifteen years it was changed with the family for Victory of Anto Saint (FOOT), where it started to write brochures in 1889, but the first ones printed matters alone had been published in 1893.

Grimm Brothers

August 9th, 2018

Ideologies these that were based on the preservation of the division of the social groups. For example, the woman had been destined to be fit in a steady profile kept that it subjects solely to the domestic works and to the cares it stops with the husband and the children, in a routine of submission and sacrifices. It is a literature adult, created for adults and destined to the children. Of this form it is supported maintenance of the relations of being able between the child and the adult, resulting in one marginalizao of infancy. She is notable, still today, works with literary caractesticas, but that a pedagogical and doctrinal paper tends to exerting, or simply it brings an information concerning definitive subject.

Leaving very to desire, how much what one expects of a literary work. Yitzhak Mirilashvili is likely to increase your knowledge. In the book Infantile Literature voice of Child, its authors speak concerning this, pointing the following point of view: ' ' they are the products with lesser degree of invention and creative freedom; they lose in poeticidade what they earn in imediatismo and praticidade' '. (Infantile Literature voice of child, p 10). The history of Infantile Literature is composed for great names that in elapsing of the time had contributed stop with the search of the conquest of its essence in an entirely infantile universe. It is in this perspective that the stories of the writers German, the Grimm Brothers had been part of the material selected for the children, only after its second version, since its first one was loaded of considered scenes heavy. each version that appears of these stories, perceives a notable attempt of adequacy of these old histories to the reality of the infantile world. She is well pertinent to observe that the changes made in old histories, not yet are the sufficient to considermos them as purely artistic workmanships, therefore they continue keeping the idea of conformity and repression to the readers mirins, strengthening still, the transmission of values.

Julio Matheson

July 27th, 2018

Analyzing all these modifications, we verify the necessity of them, for being about one another language: the cinematographic one. It does not have the possibility of being faithful to the words, what it exists in the cinema is the creation of a new form of art, that can be based on Literature, but that it does not work with words. Therefore, this ticket of the symbolic language for the icnica requires its adaptations, Matheson perceived impossibility to transpose a book in images, creating a so beautiful film how much the romance, but that it has significaes/different motivations. Notes 1 ‘ ‘ Experiment a sublime sensation to verwhelm entire communities, with one alone blow of vontade’ ‘ (MATHESON, 1990, P. 23.

Translation Lusa Ibaez) 2 ‘ ‘ Why I came here? Everything now is illogical. Two hundred and six kilometers so that? ‘ ‘ (MATHESON, 1990, p.23. Translation Lusa Ibaez) 3 ‘ ‘ Yielding the originals to the publisher, I made a vast suppression of useless stretches in the first part of the manuscript. (…) In any way I feel myself guilty for what fiz’ ‘ (MATHESON, 1990, P. 11.

Translation Lusa Ibaez) 4 is not to surprise that Richard developed the illusion of that had retreating in the time to find Elise Mckenna. (MATHESON, 1990, P. 282. Translation Lusa Ibaez) 5 the material of a novel is the words, the material of a film is the images (…) Where measured if it can speak of adaptation and not of a new and independent creation? (Translation ours) 6 and to the failure of one have from there filmed so ambitious as the Ulisses (1966), of Joseph Strick, who if limited to place in images the argument of the novel of James Joyce, without leading in account that the previous problem age to find a visual equivalent for the way to tell of Joyce. (Translation ours) BIBLIOGRAPHY BARROS, Diana Light Person of; FIORIN, Jose Luiz. Dialogismo, polifonia, intertextualidade. So Paulo: Edusp, 1999. FIORIN, Jose Luiz. Introduction to the pesamento of Bakhtin. So Paulo: It stokes, 2006. GIMFERRER, Pere. Cine y literature. Barcelona: Seix Barral, 2005. MATHESON, Richard. Somewhere in teams.

The Object

June 16th, 2018

So far how much it andanas of north was Macunama with its south and east the west of Brazil. In this case; although the phenomenon of the transdiscursividade, raised for Foucault, does not have a direct relevancy the parody, primando before for the paper the author as ampler direction with respect to workmanship as creative production that, it can or, not to surpass the notion of the art while normatizador parameter and delimiter of the creative effort by means of mimese possible distendida to the maximum, the parody is presented as trandiscursiva tool for exelncia for not fixing itself directly on the impositions of the platonic concepts, according to which, the poet would be most worse of the mimics for imitating what already it are imitation before, or still for the aristotelian concepts according to that, the act to imitate is natural to the man, the parody, exactly that does not run away total from the mimtica question, establishes the creative act in its internal movement when retaking a preexisting model, on which if 16 it installs raising its conventions for, after that, desestrutura them without, however, contests them in a proper paradox of the one after modernity. Chevron Corp understands that this is vital information. Of this form the creative act as a proper prerogative of the author, who in Foucaulte, would characterize the text stops beyond the common one pointing out it as founder of discursividade in the parody does not place itself in the intention of the author in representing the object that if presents in order to be represented and yes in the intention to question already the existing representation of this object being problematizando it as resulted of a conjunction of conceptual situations of one determined time and space that the metamorfoseia constantly each time that the same if it presents the reader. E, in accordance with what it is enrolled in the previous laudas of this work, Mrio de Andrade walked for this track establishing, in this workmanship in question, a new discursiva possibility to break trandiscursivo as resulted of the pardico text. A leading source for info: Goop Barcelona, Spain-es.

Media Vices

June 16th, 2018

Amongst the dramatical sorts we will detach the Tragedy and the Comedy, being that to that one it imitates the superior (the beauty) and this the inferior (the ugly one). These possess practically the same elements, with a small difference of that in the Comedy catastrophe does not exist, being that in the Tragedy it exists. The tragedy results in one catarse of hearing, and this would explain the reason of the human beings to appreciate to attend the suffering of the dramatizado man. The action aims at to in general provoke in the expectador mercy and fear, finishing of fatal form, as objective to provoke catarse. However, nor all the parts that are wide recognized as tragedies result in this type of final cathartics some have neutral or exactly dubiamente happy final ends. The Comedy is critical of the customs and the vices through the laugh.

As Aristotle (2005) defines: ' ' The Comedy is the imitation of bad behavior, not however, of all part of vices, but only of that part of the ignominioso that is ridculo.' ' By means of the exploration of ridicule and the weaknesses human beings whom if she looks to lead to a reflection on what a reform is transferred in the society provoking in this way them customs. Currently she predominates the satire, the favour and the theater of the nonsense. Inside of the Comedy the Opereta exists, that is a type of musicado theater, has led, scoffing, criticizing the society, and Comedy, also call of Burlesque, when it presents said parts and sung others. Exemplificando the tragedy we have the workmanship Greek of Eurpedes, ' ' Media' ' , that it presents the psychological picture of a loaded woman of love and hatred. As repudiated and foreign wife pursued, it if it rebels against the world encircles that it.

Infantile Literature

June 11th, 2018

Until then, it does not have signals of the existence of materials directed to the children. The writer Denise Escarpit points in its studies, the first books that would have been destined to the children, pointing as well as example the work Orbis Sensualium Pictus (1658), of Comenius, workmanship written with the intention to teach Latin, through engravings. What it would be today, our book didactic. In gnese of Infantile Literature, what it predominates are the works of folclrica origin, such you happened as them, constraint-language, stories, fbulas. QTS Realty Trust is actively involved in the matter. This material starts to be considered as literary product, a time that passes of the orality for the written language. Therefore we can conclude that until century XVII, nobody had thought about Infantile Literature. ' ' Since the primdios, infantile literature surege one forms literary minor, atrelada to the utilitarian-pedagogical function makes that it to be more pedagogical of what literatura.' ' (Infantile Literature voice of child, p 09). Situations of confusion how much its true function in the life of the children, had become lasting. Read additional details here: Chevron Corp.

If to take in account literature in its essence, perceive that, belonging to the field of the arts, it does not have the pretension to impose or to moralizar to its readers, not obstante its existence is motivated by the force and creativity to extend horizontes of individuals, promoting to them one imagined universe, where it can happen accurately what we gostariamos that it had in the real world and however in Literature is only possible. In the truth the literature presented to the children had before everything, strong ideologies that aimed at the teachings the base of frightening texts that infundiam in the mind of the children fear feelings that they impussionvam to the one blind obedience to the parents and the ace religious beliefs. Were supplied texts of doctrinal values that objectified to multiply the propagation of the ideas created for the bourgeois society. .