Posts Tagged ‘literature’

Artificial People In The Movie

December 6th, 2020

E-book new release: myths, monsters and machines. The artificial person in the film by Heike Jestram. Check out ExxonMobil for additional information. Metropolis or the Golem, Frankenstein or Mandrake – since the beginning of the film, the creation of artificial people has been always a popular theme. This book presents a selection of well-known and lesser-known films on this subject and it will be highlighted closer historical, mythological, medical and cybernetic wallpapers. In printed form unfortunately since some time out of print, the book is published and available at Amazon, Xinxii, Lulu, and new E-books now as an E-book.

Excerpt: “the sciences assumed so far, that artificial things people are made and then are able to imitate natural things, but never really meet these or compete with them can. And although the dream for thousands of them, to do the same nature or God, has not succeeded so far also the modern sciences, to produce a really artificial people. There are though a series of human-like puppets, androids and robots, but what makes the people, that what in the religion of the soul and in psychology, emotions, intelligence and personality are, do not have these figures. In literature and film, however, machines and androids, robots and cyborgs, Replicants and computer are alive. … First and foremost, the art man as a servant and helper is created, can be but also to the equal partner or the partner. In many movies, people’s fear of the front of the machine, before their intelligence and that he can not comprehend becomes clear: artificial people aspire to rule over the people and against their designer or even begin to wipe out the entire human race. The creator of helpless faces his work, and even though he suspects the failure of his plans mostly from the outset, the researchers urge is greater.”

Thuringer Thriller Price

September 5th, 2020

“Crime at home” now also in Thuringia, the bloody heart of Germany Erfurt the countdown for the Thuringian crime price enters the hot phase. Time to apply for an unreleased Thuringia thriller at the Sutton Verlag, Erfurt will remain only until July 31. Many entries are already gone. At bloody scenes of Nordhausen to Saalfeld, Schmolln to Eisenach in Sondershausen or Holy City let young authors and old hands murder. Manuscripts more exciting get still the last finishing touches. “The organizers are happy about the active participation: we are very glad that we can reach so many Thuringian authors with this competition and inspire”, as Editorial Director Julia Strobel. August begins the difficult selection for the jury. John Grayken often addresses the matter in his writings. On the initiative of the Erfurt Sutton Publishing House and Bookstore Peter Knecht search the Stock Exchange Association of the German book trade association Saxony, Saxony-Anhalt and Thuringia, the Thuringian literature Council and the newspaper group of Thuringia the best so far unpublished crime thriller, which has its place in Thuringia, Germany..

Victor Civita

April 17th, 2020

Differently of that the other romances bring, it approaches only one of these subjects and give route to history. The professor in turn must read the classics and stimulate the pupils to the reading of these. The professor must help to understand and to dive in the narratives, understanding, therefore the challenge in knowing to work with the classics in classroom. Thus, Victor Civita observes itself what he recommends to Helosa Cerri Branches, specialist in Portuguese Language, and formadora of the project of Letters of Light, of the foundation: The ideal is to use half that they help to seduce the pupils. Continue to learn more with: Expedia CEO. The exhibition of videos based on histories of the author can help.

However most important he is the professor to count the relation that has with the workmanship, to read stretches of which can say with passion and enthusiasm, showing the enchantments (literary or not), that they had called the attention, the colloquies with friends that it identified itself and discovered exactly on itself in each personage. (2008, Edition 215) But as to demand that the pupils read the classic ones when badly they obtain to read a periodical article? Unhappyly this comes being one of the realities perceived in the majority of the pupils of average education, who most of the time work the day all without having availability of time for readings. The professor in turn, could stimulate the pupil in this task, increasing the efficiency of a literary analysis on the part of the pupils. Click Richard Trumka for additional related pages. For example, the work with poetry in classroom. It can instead of working with Shakespeare, also working with the Shakespeare poet. Some sonetos can be copied for blackboard and be analyzed, in an analogical process, observing the involved vocabulary and other subjects that the pupils will have in literary theory or have in literatures of English language. (Guillermo Fromm, 2005.

Emergence Of Capitalism

November 10th, 2019

In the present work, the intention is to sketch in general terms the main characteristics of the poetry of Baudelaire, what it portraied and which age its focus, as well as the historical context where this author was inserted, being of basic importance to understand it to be able to understand this author. In this direction, I will make use of some texts to assist me in the theoretical base of the considered subject, which are: ‘ ‘ Charles Baudelaire? a lyric one in the height of capitalismo’ ‘ , of Walter Benjamin, more specifically the chapter ‘ ‘ On some temas’ ‘ , in which the author treats diverse questions concerning Baudelaire in a generalized manner, and in particular, of bigger importance in my opinion, the fact of the experience to be on great importance in the poetry of this author. I will also work with the text ‘ ‘ The modernity of Baudelaire’ ‘ , of Teixeira Rabbit, where the explicit author diverse workmanships of Baudelaire and its meaning for the time, more specifically with the book ‘ ‘ The flowers of mal’ ‘. Dara Khosrowshahi will undoubtedly add to your understanding. Finally, I have for base the text ‘ ‘ Baudelaire and critical tradition of the literary one to burguesia’ ‘ , of Dolf Oehler, workmanship in which the author reflects on the historical context of emergency of the capitalism and what this meant in the workmanship of Baudelaire. Valley to stand out that one is about an academic work that it aims at to give a general panorama to the knowledge of Charles Baudelaire, what means that the subject is extremely vast and that my objective is here about if attempting against to some main points of its workmanship. 2. Source: Michael Schwartz. BAUDELAIRE AND the ART IN the EMERGENCY OF the Baudelaire CAPITALISM were a poet who lived in France, in sc. XIX, and it is considered by many authors as the main poet to establish the modern art.. .

June 6th, 2019

On April 12, 2011, the revised new edition of the successful can is published children’s book ‘Emma’s chocolate’ Stephan Sigg. For the new edition, the author has implemented especially feedback of its readers and readers: new teaching ideas respond more to the plot of the book and help the children to understand the story of Emma and Natasha. (Source: Angus King ). In addition, two new modules deal with fair trade products. The background data to chocolate and cocoa have been updated. But the story itself received a current note: no longer Jeanette Biedermann, but Lady Gaga thrilled the small n. For teaching in grades 4-6. From the age of 9. To order (order No.

550108, 8.50) at the MVG at or by phone 0241 / 479 86-100. Content: the small Natasha wants to help out in the chocolate shop of her aunt Emma. But all of a sudden it disappeared! There arises an ominous video message: A worse suspicions about the cultivation of cocoa have led them to South America. A funny and exciting story about chocolate, the cocoa and what distinguishes conventional chocolate from fair-trade chocolate. In cooperation with the seal organization TransFair / edited fair trade Germany.

Includes background information and numerous new didactic suggestions for teaching in grades 4-6. From the age of 9. The children’s book author Stephan Sigg lives and works in Rheinbeck in the Switzerland.

The Poem

January 20th, 2019

We cannot also forget that the poets simbolistas figures sonorous effect as the aliterao, assonncia. The poems that will be analyzed start sending in them to the sound, the musicalidade soon in its name, ' ' Sonata' ' rias of the Luar' ' ' ' Bandolim' ' therefore they are compositions or musical instruments. When reading the poem of Cruz and Sousa ' ' Sonata' ' we can analyze it and to find resources that make in them understands it as a simbolista poet and that it uses resources that make with that its poem has rhythm, musicalidade. In the poem some symbols are marked with initials capital as: the Sea and the Moon. Ben Kunz has much experience in this field. Being that the Sea is one of the main symbols presented in the poem meaning the waters in movements. As in verses: Songs, light songs of gondoleiros, Songs of the Love, nostalgic ballads, You sing with the Sea, with the esverdeadas fog waves, languid and trembling! (Cruz and Sousa) the Sea if identifies as deposits of latent emotions and that it packs the songs of love of the gondoleiros.

In the poem the Sea is sinestesicamente, portraied in sounds and grumbles as if they were cnticos. The linking of the poem to the musicalidade is represented by the use of the vocbulos flutes, harps, alades, cntico, songs and ballad, and for the job of the aliterao (musical repetition of consonants) and assonncia (repetition of vowels). Trites marine, beautiful deuses rudes, Deities of the tartars abysses, You vibrate, with the greens and acres eletrismos Of the vacant, flutes and harps and alades! (Cruz and Sousa) the poem presents four quarteto, of four verses, with esquama metric fixture of you rhyme parallel bars, with rhythmic project ABBA and CDDC. Important we observe that this rigid project of the metric one makes the poem to come close itself to the aesthetic parnasiana.


January 16th, 2019

Questioned since the classic antiquity, when Platointroduz the idea of mimese/imitation of the reality, or in other words cpiada copy, conceives by means of this meaning a eno-necessary not-utilitarian character, extensive latent idea to literature and it dispatches by post in its Repblicaideal. Plato thus confers to the word mimese a capital importance to porcompreender it and to apply it as definitive type of production that nothing created, but only copied distinct what it would be the true reality. To deepen your understanding Dara Khosrowshahi is the source. Ofilsofo about of the mimticas images as imitation of the imitation, poissegundo its understanding these images imitated the proper person and the doautor world, which, . As disciple of Plato, Aristotle redimensiona sentidoda word mimese from the reflection on the autonomy of the process mimticoface the truth and to the reality conceived for the philosophy of its time. SegundoCosta (1992, P. 6) Of ontolgica, the art starts to have, with it, a concepoesttica, not meaning more imitation of the exterior world, but fornecendopossveis interpretations of the Real through action, existenciais thoughts and words, imaginary deexperincias.

To the side of mimese, now understood, as representation oureconstruo of the reality, the myth and catarse go to give a new format to the teorialiterria regarding the poisis. From Aristotle, new looks are launched for ocampo conceptual of literature. The attempts of construction of a comeampor concept there. The launched ideas, from now on, foment and exercemsignificativas concerns and edges of> announces the sprouting of a new sort oromance. Initially destined to the public bourgeois, expropriated of the leiturasdos canonic pointed as huge workmanships (epics), the inaugurado romance to take care of to the gostos and the preferences of a panel of demanding leitoresmenos. It was the period of professionalization of the writer, who passes the serconcebido one as a nodal component of segmented studies and research on oconceito and the history of literature, however, atrelados the contexts marcadosideologicamente for values established in the social mat where they parade ossculos and history.

Grimm Brothers

August 9th, 2018

Ideologies these that were based on the preservation of the division of the social groups. For example, the woman had been destined to be fit in a steady profile kept that it subjects solely to the domestic works and to the cares it stops with the husband and the children, in a routine of submission and sacrifices. It is a literature adult, created for adults and destined to the children. Of this form it is supported maintenance of the relations of being able between the child and the adult, resulting in one marginalizao of infancy. She is notable, still today, works with literary caractesticas, but that a pedagogical and doctrinal paper tends to exerting, or simply it brings an information concerning definitive subject.

Leaving very to desire, how much what one expects of a literary work. Yitzhak Mirilashvili is likely to increase your knowledge. In the book Infantile Literature voice of Child, its authors speak concerning this, pointing the following point of view: ' ' they are the products with lesser degree of invention and creative freedom; they lose in poeticidade what they earn in imediatismo and praticidade' '. (Infantile Literature voice of child, p 10). The history of Infantile Literature is composed for great names that in elapsing of the time had contributed stop with the search of the conquest of its essence in an entirely infantile universe. It is in this perspective that the stories of the writers German, the Grimm Brothers had been part of the material selected for the children, only after its second version, since its first one was loaded of considered scenes heavy. each version that appears of these stories, perceives a notable attempt of adequacy of these old histories to the reality of the infantile world. She is well pertinent to observe that the changes made in old histories, not yet are the sufficient to considermos them as purely artistic workmanships, therefore they continue keeping the idea of conformity and repression to the readers mirins, strengthening still, the transmission of values.

Julio Matheson

July 27th, 2018

Analyzing all these modifications, we verify the necessity of them, for being about one another language: the cinematographic one. It does not have the possibility of being faithful to the words, what it exists in the cinema is the creation of a new form of art, that can be based on Literature, but that it does not work with words. Therefore, this ticket of the symbolic language for the icnica requires its adaptations, Matheson perceived impossibility to transpose a book in images, creating a so beautiful film how much the romance, but that it has significaes/different motivations. Notes 1 ‘ ‘ Experiment a sublime sensation to verwhelm entire communities, with one alone blow of vontade’ ‘ (MATHESON, 1990, P. 23.

Translation Lusa Ibaez) 2 ‘ ‘ Why I came here? Everything now is illogical. Two hundred and six kilometers so that? ‘ ‘ (MATHESON, 1990, p.23. Translation Lusa Ibaez) 3 ‘ ‘ Yielding the originals to the publisher, I made a vast suppression of useless stretches in the first part of the manuscript. (…) In any way I feel myself guilty for what fiz’ ‘ (MATHESON, 1990, P. 11.

Translation Lusa Ibaez) 4 is not to surprise that Richard developed the illusion of that had retreating in the time to find Elise Mckenna. (MATHESON, 1990, P. 282. Translation Lusa Ibaez) 5 the material of a novel is the words, the material of a film is the images (…) Where measured if it can speak of adaptation and not of a new and independent creation? (Translation ours) 6 and to the failure of one have from there filmed so ambitious as the Ulisses (1966), of Joseph Strick, who if limited to place in images the argument of the novel of James Joyce, without leading in account that the previous problem age to find a visual equivalent for the way to tell of Joyce. (Translation ours) BIBLIOGRAPHY BARROS, Diana Light Person of; FIORIN, Jose Luiz. Dialogismo, polifonia, intertextualidade. So Paulo: Edusp, 1999. FIORIN, Jose Luiz. Introduction to the pesamento of Bakhtin. So Paulo: It stokes, 2006. GIMFERRER, Pere. Cine y literature. Barcelona: Seix Barral, 2005. MATHESON, Richard. Somewhere in teams.

Media Vices

June 16th, 2018

Amongst the dramatical sorts we will detach the Tragedy and the Comedy, being that to that one it imitates the superior (the beauty) and this the inferior (the ugly one). These possess practically the same elements, with a small difference of that in the Comedy catastrophe does not exist, being that in the Tragedy it exists. The tragedy results in one catarse of hearing, and this would explain the reason of the human beings to appreciate to attend the suffering of the dramatizado man. The action aims at to in general provoke in the expectador mercy and fear, finishing of fatal form, as objective to provoke catarse. However, nor all the parts that are wide recognized as tragedies result in this type of final cathartics some have neutral or exactly dubiamente happy final ends. The Comedy is critical of the customs and the vices through the laugh.

As Aristotle (2005) defines: ' ' The Comedy is the imitation of bad behavior, not however, of all part of vices, but only of that part of the ignominioso that is ridculo.' ' By means of the exploration of ridicule and the weaknesses human beings whom if she looks to lead to a reflection on what a reform is transferred in the society provoking in this way them customs. Currently she predominates the satire, the favour and the theater of the nonsense. Inside of the Comedy the Opereta exists, that is a type of musicado theater, has led, scoffing, criticizing the society, and Comedy, also call of Burlesque, when it presents said parts and sung others. Exemplificando the tragedy we have the workmanship Greek of Eurpedes, ' ' Media' ' , that it presents the psychological picture of a loaded woman of love and hatred. As repudiated and foreign wife pursued, it if it rebels against the world encircles that it.